By Richard Morley.

Many visitors to Spain come to visit the Prado or one of the many other galleries of which the country can be so proud. One genre of artwork that does very little credit is the Graffiti that adorns, or spoils, so many public areas. I am aware it is a global problem. I have even seen graffiti on a solitary, remote rock in the middle of the Sahara Desert. Libya once passed a law banning Spray paint aerosols in the country. 

It seems that any vertical surface is some street artist’s canvass. Some Madrid shopkeepers became so incensed at having their shutters defaced that they paid the graffiti artists to replace the tags, (the artist’s stylised rendering of his name), and occasional obscene cartoon with something more tasteful in the hope that once decorated other “artists” would leave it alone. This actually does seem to work, but has led to their neighbours complaining that they were encouraging the miscreants. In fact I am sure it was more a matter of “If you can’t beat ‘em, join ‘em”.
Left:My guetto is not dead
Right: Detail
The ayuntamiento of Madrid, in an ill-fated attempt to corral the desecration of vertical surfaces, provided a few virgin walls in public parks specifically for the aerosol artists, but it was never going to be enough. 

Crackhead.
And it has to be admitted, the ability to buy paint does not confer any artistic talent. Most graffiti is ugly and anti-social. Having said that, there are a few examples of even worse so-called “works of art” hanging up in the Reina Sofia. No one, to my knowledge has cut a groove in a concrete wall and called it art – so why should Joan Miro get away with it on canvass? But what do I know?
Conversely, I have seen a wonderful “Mona Lisa” in a multi-storey car park in York and Van Gogh’s “Sunflowers” on the side of a shopping centre in Rennes. And it would be impossible to write anything about Graffiti without mentioning the secretive Banksy whose works seem to crop up everywhere and are now considered “proper” artworks in their own right. He is quoted as saying, “When you go to an art gallery you are simply a tourist looking at the trophy cabinet of a few millionaires”. The standard of street art might be dubious, but at least it’s free and you don’t have to go through a security check before you are allowed to see it.
There's something Daliesque-ish about this.Here in Madrid, and down in Seville, I have seen examples of this “public art” that got my attention. If it gets my attention, it gets photographed, and so I present to you the gallery of the street.

There are some talented graffiti artists out there. What I show here is only a small part of those I have recorded. Unfortunately, some of these examples deface areas of town that would be quite beautiful without these additions. (And several enlivened a dull walk!) Graffiti is in the end, an anti-social practise, but I don't suppose there is much society can do to stop it.
But then if Miro can get away with it .........
I am taking a break. I am off to look at another view. Have a good summer.
What do you think about graffiti? A disfigurement of our towns or public art? Have your say below.
.






John Maynard Keynes argued that in times of national financial crisis, it is better to have men digging holes for a wage than to have them sit idle. The Ayuntamiento of Madrid has taken to this philosophy in spades. (Or with spades, shovels, excavators and pile drivers.)
The cross lies on a slope above the cemetery of the “Martyrs of Paracuellos”. It commemorates one of the more shocking episodes of Spain’s civil war. In 1936 those not supporting the Republican side were imprisoned. There were many of them and due to the encroaching Nationalist army the prisoners had to be moved. That was what was meant to have happened. In fact Nationalist supporters, Falangistas, churchmen and intellectuals were rounded up on the banks of the Jarama River and shot in the so-called Fusiladas Paracuellos. Fifteen Thousand of them are buried here.
Not so specific as the last question and there could be an alternative answer here. Sixty kilometres to the northwest of Madrid, just as you approach the Guadarrama Mountains the traveller will notice a tall cross dominating the landscape. This is the cross of La Santa Cruz del Valle de los Caidos, The holy cross of the Valley of the Fallen. It is meant to commemorate those who died during the civil war, but there are only two names commemorated: José Antonio Primo de Rivera and Francisco Franco, who are entombed here in a basilica below the cross. Franco declared it a national act of atonement, but few see it that way. Some die hard right wingers see it as a place of pilgrimage. Some refuse to set foot in the place. It was built by slave labour and for some, is a memory of a time they would prefer to forget.
Madrid officially is 667 metres or 2,188 feet above sea-level. It is the highest capital city in Europe. In fact, Spain as a whole has a higher average elevation than any other country in Europe. Switzerland might have higher mountains, but Spain just has more of them! The greatest surprise to the first time visitor is that Madrid is a hilly city. They say Rome is built on seven hills, in Madrid you lose count. It’s a pain if you have luggage to carry.

The Main Building housing the bar and restaurant at Valdelavilla
In the late nineties, a group of businessmen financed the renovation of Valdelavilla into a resort hotel. It is not however a luxurious place. The cottages are small, the plumbing is minimal. The steepness of some staircases and lowness of ceilings present a permanent danger to those not so nimble on their feet or of above average height. Floors are not even, the oak beams crooked and the cobbled paths could easily twist an ankle or two. In other words the village is an (almost) authentic representation of how difficult life was to the original inhabitants. No wonder the flat floors and spacious rooms of city apartments drew them away. 
Ventas Bullring